ROCKEFELLER FOUNDATION ARTS
GRANTS IN TELEVISION/VIDEO/FILM
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|
| 1965 |
|
| Educational Broadcasting Corporation,
New York City. Toward the costs of further developing its programs. |
$ 500,000 |
| Opera Group, Boston. Toward the
creative costs of television production of an opera, in collaboration
with WGBH and National Educational Television. |
$ 15,000 |
| |
|
| 1966 |
|
| Educational Broadcasting Corporation,
New York City. Toward the cost of producing an educational
series of television programs on Shakespearean drama.
|
$ 172,000 |
| Stan VanDerBeek, filmmaker, Colorado. |
$ 14,500 |
| Stan Brakhage, filmmaker, Colorado.
|
$ 14,400 |
| Tony Conrad, filmmaker, New York
City.
|
$ 14,400 |
| Sheldon Renan, New York City.
To enable him to complete a study of the independent American filmmaker. |
$ 2,270 |
| |
|
| 1967 |
|
| WGBH Educational Foundation, Boston.
Toward the costs of an experimental workshop on television program
concepts and production techniques for cultural programming
|
$ 275,000 |
| Bay Area Educational Television Association,
San Francisco. Toward the costs of an experimental workshop
on cultural programming. |
$ 150,000 |
| State University of New York at Stony
Brook, New York. To enable Nam June Paik to serve as a consultant
in communications research in the Instructional Resources Center
of the university. |
$ 13,750 |
| |
|
| 1968 |
|
| National Educational Television and
Radio Center, New York City. Toward the costs of producing
a series of programs on regional theater in the United States
|
$ 200,000 |
|
|
|
| 1969
|
|
| University of Alaska. To enable
Dr. Charles Northrip to continue his work on behalf of the Alaska
Educational/Public Broadcasting Commission toward the development
of educational television in Alaska. |
$ 24,645 |
| WGBH Educational Foundation, Boston.
Toward the costs of artists-in-residence at the Project for New
Television. |
$ 300,000 |
| Duke University, Durham, NC.
Toward the costs of filming a series, "Dance as an Art Form," by
the Murray Louis Dance Company.
|
$ 25,000 |
| Connecticut College, NewLondon,
CT. To enable Ward Cannel to continue exploration of the possibility
of creating video essays on the nature and image of man.
|
$ 15,000 |
| Film Society of Lincoln Center, New
York City. Toward the costs of experimental programs in film education
in the schools and for the encouragement of cooperative programs
in all aspects of film on the part of various municipal film programs.
|
$ 15,000 |
| Richard Schickel, New York City.
To work on a biography of American film pioneer D.W. Griffith.
|
$ 7,215 |
| |
|
| 1971 |
|
| Bay Area Educational Television Association,
San Francisco. For use by the National Center for Experiments
in Television toward the costs of developing a program to train
professionally oriented students in the creative and artistic uses
of television at selective university experimental centers, for
a four-year period.
|
$ 300,000 |
| Educational Broadcasting Corporation,
New York City. For use by the National Educational Television
(NET) and WNET/Thirteen toward the costs of establishing an experimental
television laboratory workshop. |
$ 150,000 |
| Regional Plan Association, New
York City. Toward the costs of planning and initiating the proposed
television town meetings, "Choices For '76."
|
$ 25,000 |
|
New School for Social Research, New York City. Toward
the costs of establishing, in conjunction with Global Village,
an experimental video workshop.
|
$ 14,500 |
| |
|
|
1972
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Educational Broadcasting Corporation, New York City.
For use by WNET/Thirteen toward the costs of the second phase
of development of its Experimental Television Laboratory, for
two years.
|
$ 400,000 |
|
University of Florida. Toward the completion of Radha,
a film of Ruth St.Denis's dance work.
|
$ 15,000 |
|
International Film Seminars, Vermont. To enable Willard
Van Dyke to research and prepare for publication of a book on
the history of documentary film.
|
$ 4,000 |
| |
|
| 1973 |
|
| Global Village Resource Video Research
Center, New York City.Toward a training program to develop methods
of using portable television as a communications resource for developing
countries. |
$ 25,000 |
|
Film Art Fund, New
York City. Toward the costs of a film research program and activities
of a national committee on media services.
|
$ 25,000 |
|
Electronic Arts Intermix, New York City. Toward the costs
of the international seminar/conference, "Open Circuits," to explore
the cultural potential of television.
|
$ 10,000 |
| |
|
| 1974 |
|
|
Educational Broadcasting Corporation, New York City.
For use by WNET/Thirteen toward the costs of the Television Laboratory.
|
$ 340,000 |
|
WGBH Educational Foundation, Boston. Toward the costs
of the WGBH New Television Workshop.
|
$ 250,000 |
|
KQED, San Francisco. For use by the National Center for
Experiments in Television toward the costs of further development
of workshops in experimental television at selected university
centers.
|
$ 100,000 |
|
Bay Area Educational Television Association, San Francisco.
For use by the National Center for Experiments in Television for
the research phase of a humanities television project.
|
$ 51,000 |
|
Connecticut College, New London, CT. For the American
Dance Festival's Dance Television Workshop.
|
$ 10,000 |
|
Everson Museum of Art, Syracuse, NY. Toward the costs
of "Video and the Museum," conference and exhibition.
|
$ 5,000 |
|
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|
| 1975 |
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|
Educational Broadcasting Corporation, New York City.
Toward the costs of further development of the Television Laboratory
at WNET/Thirteen.
|
$ 162,000 |
|
WGBH Educational Foundation, Boston. Toward the further
development of the WGBH New Television Workshop.
|
$ 140,000 |
|
KQED, San Francisco. For use by the National Center for
Experiments in Television for the second phase of a humanities
television project (jointly with the Humanities program).
|
$ 45,000 |
|
Cable Arts Foundation, New York City. Toward the costs
of a 10-city test project leading to a demonstration of ways in
which arts programming can be developed for cable television audiences.
|
$ 32,826 |
|
Long Beach Museum of Art, Long Beach, CA. To improve
and further develop an editing and post-production studio to serve
video and television artists in the Los Angeles area
|
$ 30,900 |
|
Electronic Arts Intermix, New York City. Toward the development
of the Artists' Videotape Resource Project.
|
$ 14,165 |
|
Massachusetts Institute of Technology, Cambridge, MA.
To enable video artist Ron Hays to be a fellow of the Center for
Advanced Visual Studies.
|
$ 12,500 |
|
Electronic Arts Intermix, New York City. Toward the costs
of further developing its post-production editing facility and
for other assistance to video artists.
|
$ 10,000 |
|
Raindance Foundation, New York City. Toward the costs
of creative programming and for Volume III of Radical Software.
|
$ 7,400 |
| |
|
| 1976 |
|
|
Educational Broadcasting Corporation, New York City- Toward
the costs of further development of the Television Laboratory
at WNET/Thirteen.
|
$ 200,000 |
|
WGBH Educational Foundation, Boston. Toward the further
development of the WGBH New Television Workshop.
|
$ 182,000 |
|
WGBH Educational Foundation, Boston. To enable video artists
to collaborate on the project "Collisions."
|
$ 35,000 |
|
Don Forests, video artist, Kenmore, NY. To enable him to
develop cultural programming on foreign cultures for the Visa
series.
|
$ 35,000 |
|
Daniel Del Solar, Brooks Johnson, Judith Williams, San
Francisco. Toward the costs of a feasibility study of Bay Area
video needs.
|
$ 30,000 |
|
West Virginia Educational Broadcasting Authority, Charleston,
WV. To be used by WMUL toward the development of a pilot program
on the musical culture of the upper southeastern and mountain
states
|
$ 25,000 |
|
Kansas City Art Institute, Missouri. To support a video
curriculum development project.
|
$ 24,500 |
|
Global Village Video Resource Center, Inc., New York City.Toward
the costs of the Ten Cities Public Television Workshop in videocassette
systems
|
$ 20,000 |
|
Educational Broadcasting Corporation, New York City.
To enable Ed Emshwiller to be an artist-in-residence at the Television
Laboratory
|
$ 18,000 |
|
Educational Broadcasting Corporation, New York City.
To enable Nam June Paik to be an artist-in-residence at the Television
Laboratory.
|
$ 17,000 |
|
Film Art Fund, New York City. Toward the support of the
video program of Anthology Film Archives.
|
$ 16,000 |
|
David Dowe, Jerry Hunt, Dallas. Toward the costs of developing
a Texas Experimental Television Network.
|
$ 14,000 |
|
Whitney Museum of American Art, New York City. Toward
the costs of expanding its film exhibition program to include
the works of video artists.
|
$ 13,900 |
|
Research Foundation of the State University of New York, Albany,
NY. To undertake a feasibility study of the potential of the
state university system to produce creative programming for television
in the arts
|
$ 11,500 |
|
Cunningham Dance Foundation, New York City. Toward the
costs of a video dance project.
|
$ 10,000 |
|
Southern Methodist University, Dallas. Toward the costs
of developing a Texas Experimental Television Network.
|
$ 6,000 |
|
Stephen Beck, video artist, Berkeley, CA. To enable him
to acquire equipment to continue his work in video.
|
$ 4,000 |
|
Ministry of Education and Cultural Affairs, Solomon Islands.
For the documentation of the Cultural Workshop of Melanasia.
|
$ 3,000 |
|
Bill Viola, video artist. For the recording and documentation
ofthe Cultural Workshop of Melanasia.
|
$ 850 |
| |
|
| 1977 |
|
|
Educational Broadcasting Corporation, New York City.
For use by the Television Laboratory at WNET/Thirteen toward the
costs of two programs for the Visa series
|
$ 65,900 |
|
Russell Connor, New York City. For the development of
two video projects for the Visa series.
|
$ 35,000 |
|
Bill Viola, video artist, New York City. For the development
of a video project for the Visa series.
|
$ 35,000 |
|
Bay Area Video Coalition, San Francisco. Toward the costs
of a pilot program for independent video artists/producers in
the San Francisco Bay Area.
|
$ 35,000 |
|
Cable Arts Foundation, New York City. Toward the costs
of developing an editing and post-production facility.
|
$ 34,000 |
|
Nam June Paik, video artist, New York City.
|
$ 27,000 |
|
Kansas City Art Institute, Missouri. To support a Video
Curriculum Development Project.
|
$ 25,000 |
|
Electronic Arts Intermix, New York City. Toward the costs
of further developing its post-production and editing facility.
|
$ 23,000 |
|
Museum of Modern Art, New York City. Toward the costs
of expanding its video program.
|
$ 20,000 |
|
Washington Community Video Center, Washington, DC. For
Televisions magazine.
|
$ 18,000 |
|
Cable Arts Foundation, New York City. Toward the costs
of final editing of Visa projects.
|
$ 18,000 |
|
Educational Broadcasting Corporation, New York City. For
use by the Television Laboratory for fellowship assistance for
a writer-in-residence.
|
$ 18,000 |
|
Doug Michels, video artist, San Francisco. Toward the
documentation of Ant Farm's Dolphin Embassy expedition.
|
$ 15,000 |
|
WGBH Educational Foundation, Boston. To enable Charles
Johnson to be an artist-in-residence at the Now Television Workshop.
|
$ 15,000 |
|
Robert and Ingrid Wiegand, video artists. For filming
family life and culture in India for the Visa series-
|
$ 13,500 |
| Mary Ellen Bute, filmmaker, New
York City. To enable her to work on a film project concerned with
Walt Whitman. |
$ 10,000 |
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